Albert Oehlen. Untitled (Baum 44), 2015
Oil on dibond | 250 x 250 cm
Albert Oehlen
Untitled (Baum 44), 2015

Oil on dibond | 250 x 250 cm
Provenance
Artist's Studio
Gagosian Gallery, London
Gary Tatintsian Gallery

Exhibitions
Albert Oehlen. Gagosian Gallery, London, UK. 5 February – 24 March 2016.

Publications
Albert Oehlen. Gagosian Gallery, London, UK, 2016. Illustrated in color.

Albert Oehlen's Baumbilder (Tree Paintings) series is a manifestation of the artist's ongoing study of the abstract visual language. The tree image appeared in the Oehlen's work in the 1980s. Since then it has been a recurring subject in his art, a motif that he repeatedly re-defined and through which he re-examined the foundations of painting itself, expanding and constantly bending its boundaries.

"They are more simple and more complicated now," he says. "Qualities that I want to see brought together: delicacy and coarseness, color and vagueness, and, underlying them all, a base note of hysteria."
Albert Oehlen. Untitled (Baum 78), 2016
Oil on dibond | 250 x 250 cm
Albert Oehlen
Untitled (Baum 78), 2016

Oil on dibond | 250 x 250 cm
Provenance
Artist's Studio
Gagosian Gallery, NY
Gary Tatintsian Gallery

Exhibitions
Albert Oehlen – Elevator Paintings: Trees. Gagosian Gallery, New York. February 28–April 15, 2017.

Publications
Albert Oehlen – Elevator Paintings: Trees. Gagosian Gallery, New York, 2017, p. 30; p. 31 illustrated in color; p. 33, illustrated (installation photo).

"What reasons can you have to move left, right, straight, or in circles? There are many answers to that. And then I saw the trees doing that in a way, the winter tree that I choose. They have the freedom to make any move. And so they are a kind of model of abstraction."

— Albert Oehlen